{"id":7485544,"date":"2024-02-22T00:01:00","date_gmt":"2024-02-22T08:01:00","guid":{"rendered":"https:\/\/www.thewrap.com\/?page_id=7485544"},"modified":"2024-02-28T10:12:10","modified_gmt":"2024-02-28T18:12:10","slug":"the-wrapbook-the-art-of-cinema-2023","status":"publish","type":"page","link":"https:\/\/www.thewrap.com\/the-wrapbook-the-art-of-cinema-2023\/","title":{"rendered":"The WrapBook"},"content":{"rendered":"\n
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The Art of Cinema 2024<\/em><\/h3>\n<\/div><\/div>\n\n\n\n
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Introducing TheWrapBook, a unique publication by TheWrap celebrating the art of making movies. We invited artists, illustrators, painters, photographers, writers and screenwriters to collaborate with the talent of Cinema 2023. This is the result.\u00a0For a limited time, TheWrapBook is exclusively available for purchase here<\/a>.<\/h4>\n\n\n\n

Stefano Tonchi, Editorial Director, TheWrapBook<\/em><\/h4>\n<\/div>\n\n\n\n
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\"Margot<\/a>
Margot Robbie by Richard Phillips<\/figcaption><\/figure>\n\n\n\n

Artists by Artists<\/strong><\/em><\/h2>\n\n\n\n

Six artists put pen to paper and brush to canvas to depict and reinterpret cinema\u2019s famous faces<\/h4>\n\n\n\n
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\"Julianne<\/a>
Photo by Marilyn Minter<\/figcaption><\/figure>\n\n\n\n

Deception<\/em> Perception<\/em><\/strong><\/em><\/h2>\n\n\n\n

In May December<\/em>, Julianne Moore and Natalie Portman’s characters are entwined in a cerebral game of cat-and-mouse. To pull it off, they found in each other simple honesty and trust<\/h4>\n\n\n\n
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\"Sandra<\/a>
Sandra H\u00fcller,<\/strong> Anatomy of a Fall, The Zone of Interest                                                                                                                                      Photo by Stefan Ruiz<\/figcaption><\/figure>\n\n\n\n

Faces of 2023<\/strong><\/em><\/h2>\n\n\n\n

A major exhibition of L.A. artists and a portfolio of Hollywood\u2019s finest actors of the year coalesce in a collaboration of creativity<\/h4>\n\n\n\n
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\"Martin<\/a>
Martin Scorsese,<\/strong> Killers of the Flower Moon                                                                                                                                            Photo by Catherine Opie<\/figcaption><\/figure>\n\n\n\n

The Lion in Winter<\/strong><\/em><\/h2>\n\n\n\n

Directing great Martin Scorsese looks back on his career and ahead to his next act<\/h4>\n\n\n\n
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\"Ava<\/a>
Ava DuVernay,<\/strong> Origin                                                                                                                                                                                     Photo by Catherine Opie<\/figcaption><\/figure>\n\n\n\n

Visionaries Envisioned<\/strong><\/strong><\/strong><\/em><\/h2>\n\n\n\n

The year\u2019s most thought-provoking filmmakers captured by one of our time\u2019s most treasured photographers<\/h4>\n\n\n\n
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Photo by Marco Walker<\/figcaption><\/figure>\n\n\n\n

Cinemascapes<\/em><\/strong><\/strong><\/strong><\/em><\/h2>\n\n\n\n

Artist Marco Walker<\/strong><\/em> blends nostalgia for postmodern iconography and<\/em> memories of Hollywood in a mash-up of the season\u2019s best<\/em> fashion<\/em><\/h4>\n\n\n\n
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\"Camille
Photo by Kendall Bessent<\/figcaption><\/figure>\n\n\n\n

It’s Looking Up for Below The Line<\/strong><\/strong><\/strong><\/strong><\/strong><\/em><\/em><\/strong><\/h2>\n\n\n\n

2023 brought new diversity in the ranks of crafts that fall \u201cbelow the line,\u201d we were excited to have Kendall Bessent<\/strong> photograph the changing faces of the industry<\/p>\n\n\n\n

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Artwork by Fran\u00e7ois Berthoud<\/figcaption><\/figure>\n\n\n\n

Dressing The Part<\/em><\/strong><\/h2>\n\n\n\n

Six celebrated costume designers weave their unique brand of enchantment into some of the year\u2019s most fashion-forward films<\/p>\n\n\n\n

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Artwork by Konstantin Kakanias<\/figcaption><\/figure>\n\n\n\n

Setting the Scene<\/strong><\/em><\/h2>\n\n\n\n

A look at some of the most memorable cinematic tableaus of 2023 as interpreted by artist Konstantin Kakanias<\/strong><\/p>\n\n\n\n

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Movie Couture<\/em><\/strong><\/strong><\/em><\/strong><\/h2>\n\n\n\n

YSL creative director Anthony Vaccarello<\/strong> combines his love for cinema and his passion for fashion in collaborating with today\u2019s great directors<\/p>\n\n\n\n

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Artwork by Laurie Simmons<\/figcaption><\/figure>\n\n\n\n

How Hollywood Tried To Smash The Patriarchy in 2023<\/strong><\/em><\/h2>\n\n\n\n

Salamishah Tillet<\/strong> sets off in search of pop culture’s state of feminism in Barbie<\/em>, Poor Things<\/em> and other films<\/p>\n\n\n\n

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Artwork by Laurie Simmons<\/figcaption><\/figure>\n\n\n\n

All Dolled Up<\/strong><\/em><\/strong><\/h2>\n\n\n\n

Artist Laurie Simmons\u2019<\/strong> body of work uses dolls to explore themes of feminism, sexuality, body imagery and gender identity<\/p>\n\n\n\n

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Artwork by Christian Boltanski<\/figcaption><\/figure>\n\n\n\n

Life, Death, Memory, Fate, Loss<\/strong><\/strong><\/em><\/strong><\/h2>\n\n\n\n

Christian Boltanski<\/strong> explorations of emotion wrought by the Holocaust and the horrors of war profoundly resonate today more than ever<\/p>\n\n\n\n

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Istvan Eszterhas, Circa 1940’s<\/figcaption><\/figure>\n\n\n\n

Be Careful What You Write, It Can Break Your Heart<\/strong><\/em><\/strong><\/h2>\n\n\n\n

Thirty-five years ago, Hollywood screenwriter Joe Eszterhas<\/strong> discovered that a film he wrote about a Hungarian war criminal, Music Box<\/em>, was reflected in the real-life story about his own flesh and blood<\/p>\n\n\n\n

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Artwork by Jeffrey Gibson<\/figcaption><\/figure>\n\n\n\n

Space Maker<\/strong><\/em><\/strong><\/h2>\n\n\n\n

Choctaw\/Cherokee artist Jeffrey Gibson<\/strong> has spent decades fighting for Indigenous representation in the mainstream<\/p>\n\n\n\n

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Artwork by Jeffrey Gibson<\/figcaption><\/figure>\n\n\n\n

Who Gets to Tell Indigenous Stories? <\/strong><\/strong><\/em><\/strong><\/h2>\n\n\n\n

Recent films and a groundbreaking art exhibition illustrate how the Native American narrative is controlled by who holds the camera, who holds the pen. Tazbah Chavez<\/strong> investigates <\/p>\n\n\n\n

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Artwork by Andy Warhol<\/figcaption><\/figure>\n\n\n\n

The Agony and The Ecstasy of Mr. Chow<\/em><\/strong><\/h2>\n\n\n\n

Jeffrey Deitch <\/strong>traces the extraordinary narrative arc of actor, restaurateur and artist Michael Chow<\/p>\n\n\n\n

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Found in Translation<\/strong><\/em><\/strong><\/h2>\n\n\n\n

Talent agent Thao Nguyen\u2019s<\/strong> whole world is art, both at home with her personal collection and at CAA where she cultivates artists in pop culture<\/p>\n\n\n\n

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Diary of a Strike<\/em><\/em><\/strong><\/h2>\n\n\n\n

Sharon Waxman<\/strong> chronicles the SAG-AFTRA and WGA labor disputes of 2023 that put tens of thousands of people out of work for more than half the year. The psychological impact was as great as the economic one<\/p>\n\n\n\n

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Where Art & Film Collide<\/em><\/strong><\/h2>\n\n\n\n

LACMA\u2019s Art+Film galas have melded the worlds of fine art and film in L.A.\u2019s biggest annual cultural event. Creating that alchemy took the vision of museum director Michael Govan<\/strong><\/p>\n\n\n\n

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Hammer’s Hometown Heros<\/em><\/em><\/strong><\/h2>\n\n\n\n

The Hammer’s \u201cMade In L.A. 2023: Acts of Living\u201d celebrated the best<\/em> of the city\u2019s art scene<\/em><\/p>\n\n\n\n

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Photo by Jeff Vespa<\/figcaption><\/figure>\n\n\n\n

The Last Picture<\/em><\/strong><\/h2>\n\n\n\n

Frieze takes a drive through Los Angeles with artist Sharif Farrag<\/strong><\/p>\n\n\n\n

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TheWrapBook Digital Edition<\/p>\n\n\n\n

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Introducing TheWrapBook, a unique publication by TheWrap celebrating the art of making movies. We invited artists, illustrators, painters, photographers, writers and screenwriters to collaborate with the talent of Cinema 2023. This is the result.\u00a0For a limited time, TheWrapBook is exclusively available for purchase here. Stefano Tonchi, Editorial Director, TheWrapBook Artists by Artists Six artists put […]<\/p>\n","protected":false},"author":10156,"featured_media":7498708,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-no-sidebar","meta":{"byline":{"profiles":[{"type":"byline_id","atts":{"term_id":504659,"post_id":7303204}}]},"_links_to":"","_links_to_type":0,"wp_curate_deduplication":false,"wp_curate_unique_pinned_posts":false,"footnotes":""},"byline":[504659],"class_list":["post-7485544","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/www.thewrap.com\/wp-json\/wp\/v2\/pages\/7485544","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thewrap.com\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.thewrap.com\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.thewrap.com\/wp-json\/wp\/v2\/users\/10156"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thewrap.com\/wp-json\/wp\/v2\/comments?post=7485544"}],"version-history":[{"count":11,"href":"https:\/\/www.thewrap.com\/wp-json\/wp\/v2\/pages\/7485544\/revisions"}],"predecessor-version":[{"id":7820910,"href":"https:\/\/www.thewrap.com\/wp-json\/wp\/v2\/pages\/7485544\/revisions\/7820910"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.thewrap.com\/wp-json\/wp\/v2\/media\/7498708"}],"wp:attachment":[{"href":"https:\/\/www.thewrap.com\/wp-json\/wp\/v2\/media?parent=7485544"}],"wp:term":[{"taxonomy":"byline","embeddable":true,"href":"https:\/\/www.thewrap.com\/wp-json\/wp\/v2\/byline?post=7485544"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}